Author: Karen Joy Fowler
Keywords: Intriguing. Moving. Thought-provoking.
Imagine having a non-human sibling. That is essentially, what this book is about. Yet, it’s also about a lot more. It explores the deep bonds of sisterhood, the relationship between humans and animals, the human need to ‘fit in’, love, jealousy, devotion, resentment, and more. The novel is both humourous and heart breaking, a coming of age tale unlike any other. At times we’re rooting for the protagonist, at other times we’re disappointed with her. Moving beautifully between past and present, this is a story that challenges our notions of family and humanity.
Author: Tan Twan Eng
Keywords: Intriguing. Mysterious. Historical.
This is the tale of a judge who has been a prisoner of war in a Japanese internment camp in Word War II. After the war she tries to make sense of her life. She is also battling an illness in private. While visiting old friends, she meets a Japanese artist who was previously the Emperor’s gardener. She is conflicted, as she wants to learn the Japanese art of creating a garden from a master, but she also hates the Japanese for what they did to her and her people.
The Japanese philosophy of building a garden, which goes beyond the obvious, affects her without her knowledge. She also overcomes her hatred and anger against the gardener to become friends, and later lovers. This tale moves effortlessly across different times of her life. Her journey draws the reader in. Although the book is set against the backdrop of war, it is not only a war story. We see her young days with her parents and sister in Malaya before it was torn by war. We get to know her as a well-known judge, and later, as a person searching for peace, and searching for herself. The slow revealing of her character, and the story, makes for a wonderful read.
Author: Arthur Miller
Genre: Realistic fiction (maybe)
Keywords: Moving. Intense. Disconcerting.
I don’t read many plays but All My Sons is more than just a play. Based on a true story, it reveals the deeply complex and fundamentally flawed nature of human beings. It delves into ethics and idealism, and questions how personal greed and selfishness allow people to ignore their moral responsibilities. Its broader themes hint at the corruption prevalent in any system, and it questions the American dream of the 1950s. All My Sons is so relevant to India today; it will strike a chord in many readers’ hearts. A story that stays with you, and haunts you for a while.
The last few months have been particularly adrenaline-pumping. I finally learnt to drive. Forget bungee-jumping, driving is the best way to keep all senses on high alert. I went to a driving school for a few weeks. Then I took our own Maruti 800 for a spin. All went well till I tried to park it back in its stable. I drove into a wall. Although it was slow, and the faithful steed was unhurt, it is slightly traumatic to be responsible for such things. So, I took a few extra driving classes from one of the instructors of the driving school. To protect his identity (since he is not supposed to take extra classes independently) we will call him Mr G.
Mr. G is a saint among the driving teachers of the world. Teaching is truly an art, and he has mastered it. Ironically, when he drives the car himself, he is quite rash. But when he teaches, he calms the nerves and unruffles ruffled feathers. Nothing fazes him, and his patience knows no limits. Golden words he frequently repeats while driving are:
"Aaram se jaao. Sabko jaane do." When you're learning driving, you need to hear this every five minutes.
"Brake frequently, accelerate occasionally." Opposite of most of the population. It's completely fine to fall back in traffic and let everyone overtake. They're in such a crashing hurry, yet they will be next to you again at the next signal.
"Left lane mein raho." Let all the honking Audis and screeching Sumos whiz past unhindered. Of course sometimes, the left lane is very perilous. There will be numerous cyclists and two-wheelers flitting about like annoying mosquitos, there will be massive vehicles coming full-speed on the wrong side of the road. And they will glare at you as if you are wrong.
"Clutch ko pyaar se chodna." Now if you've never driven a Maruti 800, you have no idea how sensitive a clutch can be. It's a temperamental damsel. Leave it too quickly, and it will just ditch you completely, make the engine die, and leave you frantically re-starting your car while the world honks madly. Don't press it hard enough, and the gear-box won't co-operate.
"Foot on break." This is a real pearl. Twice, I accidentally touched the accelerator instead of the brake. It's enough to add a few grey hairs on your head. As well as scare the crap out of others.
"Always watch the signal, not the traffic." In Pune, it's so common for people to break a red signal that if you stop, you're treated like an idiot.
"Night-driving main bahut careful rehana." After sunset, people go mad on the road. They are more rash, more aggressive, more death-defying. Add to this badly lit roads, and vehicles without proper lights, and you have a lethal cocktail. But Darwin was right, we humans adapt and evolve very fast. After five minutes of night-driving my bat vision instantly developed into cat vision.
"Driving main foresight chahiye." Schumacher could not have put it better himself. You have to anticipate that the crazy bus-driver is going to cut you sharply, the trucker is going to brake suddenly, the rickshaw guy is going overtake from the left and then turn right, the clueless pedestrian is going to saunter across the road, the Swift is going to try to race you, the SUV is going to bulldoze you, and everyone is going to give you that utterly scornful look of 'pathetic learner!'
"Tension nahin lene ka." Best advice in the world when you're sweating buckets, struggling to get into first gear after braking suddenly to avoid killing that old lady crossing, while a rickshawalla yells at you in Marathi.
Now I've never been a hard-core Tarantino fan. I've seen Pulp Fiction, and thoroughly enjoyed it. I've watched bits and pieces of both Kill Bills, wincing as blood flew. But his last two movies have been wonderful, perfect movie-watching experiences. The one that really made me a fan is of course, that glorious piece of film-making called Inglorious Basterds. From the opening scene, it gets you in it's grip, and it doesn't let you go. It's story is perfect, and more importantly, it's perfectly told. QT knows what to tell you, what to show you, and when to show it to you.
Many people don't like Tarantino films because of their graphic violence. Indeed, they are not for the faint-hearted. If bullets and blood flying, people getting their genitals blown to bits, and dogs tearing people apart is not your cup of tea, don't venture into this territory. You've been warned. I'm not a fan of extreme violence. But I didn't seem to mind it in these movies. It's the tale of revenge, the story of how the oppressed rises up one day, and gives it back to the oppressor, it's the underdog becoming top-dog, and it leaves the audience cheering for more.
The best part is, it's not the scenes of violence that really stay with you. It's the other, far more subtle things that get stuck in your head. One of the best scenes in Inglorious Basterds is when Shoshanna, meets Colonel Hans Landa in the Nazi officers club, for the first time since he shot her family to pieces. Inglorious Basterds unfolds like a book, slowly, revealing a complex plot. At the end of the movie you are left wishing something like that really happened in World War 2.
Django Unchained is set in America before the civil war. Unlike Inglorious Basterds, it's plot and story is very simple and straightforward. Perhaps for this reason, some people may not like it, but this is it's chief charm. Django may have a simple story, but it makes up in the richness of its characters. They are endlessly entertaining. They are human, there is something that breaks each of them at different points. There are some traumatic scenes of violence such as a horrendous wrestling match, dogs tearing a slave to pieces, and other such scenes. But there are some remarkable moments. One is when Django's wife is brought out of the hot-box, where she has been kept as punishment for trying to run away. You will rarely see a film showing a naked, shamed woman, without showing nakedness or shame. Somehow, QT masters it. There is the terrible moment when the hot-box is opened, water is thrown on her, and several white men pull her out, and literally man-handle her. This could have been a very ugly scene, but it is heart-wrenching without being explicit. It shows the cruelty, but it handles it sensitively.
Another fantastic moment comes towards the end. Dr Shultz (Christof Waltz) is haunted by the scenes of the slave being torn to pieces by dogs. Until there he has maintained his strength, but suddenly, one senses the cracks appearing in his calm state of mind. He seems a character who can absorb many disturbing things, and he himself kills people without qualms, but this experience shatters something deep within him, and unravels him. If there is that one moment in life when someone can't take something anymore, this is it for him. It's a very telling moment. The audience knows that something in him has changed, and he is going to do something extreme, or crazy, but you just don't know what.
It's easy to underestimate the acting talent of Jamie Foxx, because he is a man of few words in this film. But as you watch the entire film, he communicates volumes without words. Experiences have toughed him up, but they haven't made him inhuman. He's a simple man, with a simple mission. His greatest strength is he learns fast. His greatest weakness is his love for Hildi, his wife. He can bear anything, but Hildi is his Achilles' heel. Leonardo DiCaprio is perfect, charming, funny, kind but with a hard, cruel, hypocritical and almost psychotic core. His character is unveiled beautifully. Initially, you like him. He charms. Slowly, you fear and dread him. His unpredictability leaves one on the edge of the seat. Samuel L Jackson is brilliant as the faithful slave, serving a family since generations. He is so identified with his role of the servant, that he cannot believe that any black person can be anything else. He is the most annoying, cloying, racist person in the movie.
Of course, Christof Waltz takes the cake, as he does in Inglorious Basterds. In both these movies he is a ruthless killer, who is delightfully cheerful and practical about his work. But in Django, he is a softer, more interesting, more nuanced character. He is the most likeable, pragmatic, person, who takes life with a pinch of salt. If one wanted a traveling companion, one really couldn't ask for a better one. He is honest, brutal, and takes things as they come. Most enjoyable, even strangely touching, is the way he takes Django under his wing. Theirs seems like an unlikely partnership. But it's the best there is. It broke my heart when they killed him. I think I could have accepted Django' death easier than his. But it was a good ending.
Most amazingly well shown is the attitude that QT exposes, through the dialogues, the brilliant screenplay. The attitude that any oppressor has, he feels justified in his actions. He genuinely believes it is his birthright to oppress, to rule, to own. This belief is so strong, that even the oppressed believe it blindly. They deeply resent anyone who upsets this balance. Samuel L Jackson brings this to life. Black slaves resent a black man who is free, and who rides a horse alongside the white men.
The recent horrific rape of a 23 year-old in a moving bus in Delhi has outraged, angered and saddened many of us. Yet, I am sure that there are huge chunks of our population who think this is much ado about nothing, that the girl may have ‘asked for it’, why was she out so late, for rape is now a sport in India.
Why and when did we become like this barbarian? There is a historical-cultural-religious angle. There is the angle of law and order failure, and a sloth-like judicial system. There is the angle of things changing fast in India, but mindsets still remaining in the dark ages. There is the angle, the most crucial one perhaps, of attitudes towards women, by men and even by women. This rape is not sudden or out of the blue. There has been a steady increase in rapes and violence against women for years now. This most recent rape is just the pinnacle, or rather, one of the lowest points of depravity. Because for centuries, men in India have been taking liberties. They consider it their birthright to stare at women, to sing while passing them, to make passes and comments on them, to brush past them, touch them, to hit them, to rape them.
In many Indian homes both parents and grandparents, even mothers, will openly favour the son. He grows up treated as a demi-god, and probably sees his father beating his mother. This attitude sticks on forever. This man will feel outrage when he sees any woman who is not a demure slave. This man cannot cope with what he sees, and he wants to re-assert his power, and does so by violent sexual abuse. In his weak and probably sick mind, that’s the ultimate and only weapon he has left. His manhood and his brute physical strength.
These attitudes are only reinforced by ancient ways of thinking, religious beliefs and cultural practices. Take Raksha Bandhan, a seemingly harmless festival. It just reinforces that women need the ‘protection’ of men. Dowry favours the male. It puts the female’s family into debt and struggle. Some friends who have had or are attempting to have arranged marriages (even without dowry) describe it as 'the man’s market’. Across class and caste, the male has the upper hand.
In my own alma mater, the country’s premier design school, there are a few faculty/staff who take terrible liberties with female students, especially young under-graduate students. What they do is well known in the campus, and most of these men have notorious reputations that precede them. And if we questioned this behavior, we were told, by female faculty to “let it go, these things happen, you can’t do anything about it.” And this is another strong root of this disease in society. We keep quiet. Women tell other women to shut up about it, and move on with their lives. As a woman, how can you tell another woman ‘it happens’? Does that justify it? That just hands over all power to the perpetrators. And this is how society starts spiraling out of control. Today, it may be extra-friendly physical proximity or a personal remark. Tomorrow, it becomes rape. If we don’t start talking about and discussing these things, they are never going to start being resolved.
And let's not forget that ours is still a repressed society. Driving Audis, drinking Starbucks, wearing Levis and visiting malls does not make us progressive. Most Indians cannot even think of talking about things like sex, gender equality, or even periods. Just go and buy sanitary pads at any shop in India. Even in cosmopolitan cities like Mumbai people may look at you strangely. The shopkeeper will wrap the packet in newspaper and put it in a black plastic bag, for what shame it is to be seen walking around with Whisper or Stayfree! We are ashamed of carrying sanitary pads. We are not ashamed of raping five year olds. That is the kind of culture we are. And our film industry persists in showing women as objects without minds of their own, to be ogled, and to be harassed.
The Mayans believed end of 2012 was the end of the world. It definitely seems as if human beings have stopped being human. Perhaps it is truly Kalyug, the age of downfall. We have all felt extreme emotions over this rape. Rage, outrage, sadness, hopelessness. We have to translate these emotions into positive action.
There is not a woman alive in this country who hasn’t been (at the very least), stared at from tip to toe. Most women have gone through much more. It could be groping by a stranger, it could be being flashed at, and it could be being raped by her father and/or uncle. Somewhere in India men don’t want women to use mobile phones. Somewhere else a man locks up his wife’s genitals. These are desperate and heinous attempts by men to stay in ‘power’, what they consider their birthright. There is a Talibanisation of India going on even as we speak. We cannot keep looking the other way. Rape and sexual harassment as sport has arrived on our doorstep. And it’s going to bang the door down unless we do something now.
Marie Antoinette famously told her subjects, "If you can't buy bread eat cake." Little did she know of three fabulous bakeries, whose bread and cake are so good, they are truly interchangeable. No, this isn't any fancy Parisian patisserie, or over-priced 5-star hotel. These are 3 humble, Irani-owned bakeries in Pune, India. They are the stuff of legend. People come from far and wide to sample their fare, and often pack suitcases full of the stuff to take back home, where relatives, cousins and friends devour it.
The three bakeries are within walking distance from one another. On East Street is Kayani Bakery. The Kayanian dynasty was one of the most powerful royal ruling families of Iran in ancient times, and these guys, true to their name are still churning out stuff fit for kings. Their chocolate icing cake is famous. Its large, circular, and coated with the hardest, brownest layer of sugary chocolate, with white zig-zag lines and two pink roses with fluorescent green creamy leaves. Inside it is the soft sponge again, but with a generous sprinkling of red and green sweet little squishy things we like to call tutty-fruities. My family had nicknamed it 'Goo-cake', and it provided the ultimate sugar rush.
But the king and queen of Kayani Bakery are the Ginger and Shewsburry biscuits. The former is a brown round cookie, with a delicious gingery spiciness, which no one can replicate. The queen of Kayani, the Shewsburry, is the fairer cousin of the ginger. Off-white and just packed with oodles of butter, it melts in your mouth, as your heart also melts with pure love and goodness. A few find the butteriness too much, and prefer the kidney shaped hazelnut biscuit. This is probably one of the few times you can taste real hazelnuts. There are also the round coconut biscuits, with frilly edges. For those with a preference for salty goods, there are cheese biscuits, soup sticks, and other such delicacies. Most of the biscuits are made in the same moulds and have an imprint of a smiling baker with 'Kayani Bakery' written around his head like a halo.
And truly, their bakers are a gift from higher powers. Not at all angelic in appearance, some are big and burly, with arms like young tree trunks, perfect for rolling and punching the dough. Others are sullen, but their magic and angelicness is apparent in the kitchen. The bakery only cooks on wooden ovens, and despite some environmental concerns, once you taste any of their products, you are a slave to them, and ready to sacrifice any number of trees for their noble cause.
The bakery itself is large, but the front counter is always as crowded as a railway station. A series of challenges stands between you and your cakes. You have to first wrestle to get to the counter top, which is very high, and then peer over it. You then have to get the attention of one of the staff, no easy task, as each one would be already occupied with some other customer. And the staff is in no rush. By this time you better have two lists in mind, one of your first preference of items, and a second list of back-ups. Often items of your choice are over, or they are only baked in the morning or evening. The place is simple, and the only forms of interior decoration are a large picture of the Prophet Zoraster, and a large, plain calendar with red and blue digits.
The other bakery is Royal Bakery. Contrary to its name, it is a small, rustic joint, with pista green shutters. While Kayani Bakery has more expertise in biscuits, Royal Bakery is best in breads. These bakers look like they have just landed from the steppes of Iran. They have lined and weathered faces, with the mysterious light-eyed look of the Middle-Eastern nomad. It is impossible to guess their ages, but their grey hair is testimony to all their hard work, and do they work hard! One can see straight past the counter, just a few feet away, into the dark depths of their kitchen. There is a long table, and on either side are more weathered men wearing dirty vests, sweating, as they wrestle and cuddle huge masses of dough. One of Royal Bakeries legacies is the gutli pao. This is a large round bread, with an outer crust that is brown, thick and hard. Inside, it is soft, white, snowy bread, with a spongy, airy texture, that is like nothing on earth. It can be had with anything, dal, curry, jam, but it tastes best with lumps of hard butter. The bread symbolically resembles its creators, formidable to behold, but concealing pure goodness within.
Another legendary creation of Royal Bakery is their milk bread. Here they are one up on Kayani Bakery. If Marie Antoinette had tasted this bread, she would have said,"Dam the cake, just eat bread." And her subjects wouldn't have objected in the least. This bread comes wrapped in a smooth, creamy paper. On it is printed in red a smiling baker, and the very apt sentence "The bread that stays for a 100 days and keeps you fit for a 100 years."
A gorgeous creation from Royal is their batasa. These are little round crunchy biscuits, with a faint flavour of jeera. To truly appreciate their beauty, they need to be dunked in a cup of hot tea. The outer layers become soft, and melt in the mouth, while the centre stays crispy and crunchy.
Almost opposite Royal Bakery is the last, but not the least, City Bakery. All the bakeries have their share of crazy staff. One could never tell if they are joking or serious, and sometimes they are downright rude, but no one really cared. The Iranis are famous for their 'crazy streak' and City Bakery really takes the cake, or shall we say, the bread. This baker refers to everything in his shop in dollars. How much was the bread? Twenty dollars. The chocolate biscuits? Forty dollars. The total? Sixty dollars. He persists in this behavior with a perfectly straight face. A customer once complimented him on the quality of his stuff, saying such delicacies would not be available even in the best bakeries of Paris. He replied, "Madam, you obviously don't appear to have visited Paris." Of course, this just left the lady cackling with laughter as she carried off her bag of goodies. Their crowning glory is the Fan biscuit. Probably mastered from some Danish baker, this is a glorious creation, shaped like an elongated heart, delicately layered, and coated with crunchy sugar. It could melt the hardest heart.
These shops are as simple and unadorned as their owners. If there is a Nobel Prize in food, they have excellent chances of winning it. They belong to the rare species who bakes with pure love, and it is apparent in every bite. Their service to humanity is beyond measure. As you take a bite of any bread, biscuit or cake, its goodness and richness slowly spreads on your tongue, filling you with warm delight, and you finally know what it is to eat like a king.
Have you heard of the CNN-IBN initiative called The Greatest Indian? They are trying to find the greatest Indian since Gandhi. The very concept of this episode reflects on us, as a nation. We don't have any real heroes after Gandhi. If we have such a program , it means we are desperately in search of a new hero. This is no surprise. Most of our heroes are from cricket, or Bollywood, or politics, or cricket (did I mention cricket already?). And there is a real dearth of heroines. I mean real women, doing real work, not those cast in the 'fair and lovely' mold. It's not that they don't exist, it's just that the media is too busy showing us the Bollywood ones.
Some of you may ask, "What happened to Gandhi?" Well, a country can't keep harping about the one and the same great soul after more than half a century. While I personally admire Gandhi and his philosophy greatly, the 'simple living' he advocates is not popular among most middle and upper class Indians today. Who wants to consume less when there are so many mindless malls dotting our cities? Who is going to clean his or her own toilet (forget about the streets), when there are bais, a dime a dozen? Ironically, you can often see Gandhi's portrait in government offices and police stations, precisely the places where Gandhi's principles are shamelessly flouted, with large sums of money changing hands below (and even above) the table. Gandhi stoically looks upon all these transactions from his glass frame. He is still on many of our stamps. He has been reduced to just that, a half-inch chit of paper. If he saw the country he fought for, he would probably weep.
CNN-IBN has drawn up a list of 50 people, and 'we the people' can vote for the top 10, and then finally that one glorious soul as well. Of course, there is a panel of distinguished judges whose vote will count too . Now this is a tough one, because you can't really compare the achievements of a Birla with an M.S. Subbalaxshmi. While some are nation and institution builders, others are social workers, and still others are intellectual stalwarts, entrepreneurs, military heroes, or artists and musicians. It takes all kinds to make this world. R.K. Laxman has contributed something great to our country for over 60 years, so has Kurien or B.K.S. Iyengar. Not all achievements are concrete and tangible.
When we choose one of these great people, it is not a reflection on them, but rather, a reflection on us. Every person has a different definition of 'greatness'. There are countless ways to measure contributions to the nation. This is the list of 10 people.
The upside of this watching this program is that one learns a lot about these people, and I realized I was badly informed about many of them, such as M.S. Swaminathan. Definitely, each figure here is inspiring in his or her own way. To give any one of them the tag of ‘The Greatest Indian’ is a tough task. At the core of it, this whole quest is a bit senseless.
After mulling over the list, I realized that we don't have to look that far to find the greatest Indian. In today's India, the greatest Indian is the common woman and man of India. Because they haven't yet given up on their country (though some have). It's the 'bai' that works in your home, because she struggles daily against odds, to work, to earn, to eat, to keep her kids in a school. The greatest Indian is the laborer tarring the road in the heat of summer. He has come from some distant village. It's the farmer, planting rice day after day. It's the aged fruit seller round the corner, who comes daily and sits with papayas and oranges. The greatest Indians are everywhere – we just need the eyes to see them. These heroes are above votes.
Edited by Urmilla Chandran
The idiot box is not so idiotic anymore.
Yesterday we watched Amir Khan's Satyamev Jayate first telecast on TV. Hopefully, many more Indians were watching too. Finally, someone woke up and made a meaningful TV series. The weaker-minded folks say they don't' want to spend their day off watching an hour and a half of the real issues of India. Such people are very reason India has so many issues to begin with. If apathy is our worse trait, Satyamev Jayate is a good poke in the right direction. It is hard to imagine someone who is not moved while watching it.
I was expecting a documentary-ish programme, but was pleasantly surprised to see it was actually a talk show hosted by Amir Khan. The last few weeks, when Satyamev was being advertised, I was wondering which issue he will cover in the first episode. After all, there is no shortage of issues in India. And they didn't let me down either. Episode 1 is Daughters are Precious, and it is the issue in India that is crying out for most attention, because it points to a seriously ill social structure. Any society that allows for lakhs of girl children to be aborted, or killed at birth, is a dangerous society. This is a symptom of a larger problem, that essentially, women are still not respected or valued in India. Although people say it is better than it used to be, it is still not what it should be. Ask any woman today, how she feels when stared at on the street, even when 'decently' dressed, or when she is groped in a crowded bus or train, or when she is paid less than a man for the same work. The increasing gang rapes, especially in Gurgaon are testimony to this wretched attitude of India towards its women.
Coming back to the show, Amir Khan shows some alarming facts. Female foeticide has risen significantly from 1981 to 2011. It occurs more in urban areas, even among the so-called educated and well-to-do families. Amir interviews some women who have been through hell, been beaten and abused for bearing a female child, have been forced through multiple abortions, but were brave enough to live through it, fight it, and come and talk about it on the show. You need to see the show to hear their stories.
The show also focuses on the positive. It tells us of change happening for the better, of journalists and activists fighting this issue daily, and of how citizens can hopefully put pressure on courts to dispense justice a little faster. Most importantly, Amir Khan tells us that it is you and me who can be the change, in our own small way. At the very least, knowledge is power, and the more people are made aware through this series, the better it is.
For the first time (I think) someone has used Indian television for a meaningful and powerful message. This medium of the idiot box, as I like to call it, is incredibly powerful, watched by millions, in rural and urban areas, and does not require one to be literate. It can affect positive change if used well, and who better to do that than Amir Khan, one of the very few in Bollywood who actually does sensible things. Instead of the ridiculous maa-bahu-saas serials, the mindless reality shows, and the demeaning and outright racist fairness creams crap, there is actually something sensible, intelligent and enlightening on Indian television. Hats off to Amir Khan. I just wish the ads of the saas-bahu serials would not air in the breaks of Satyamev Jayate. It is a cruel irony, that the source of the very issue being discussed, is being advertised. Also, hopefully, the issue of the music copyright will be sorted out soon.
Satyamev Jayate is a mantra from the ancient Mundaka Upanishad. When India gained Independence in 1947, it was established as the national motto. It means 'truth alone triumphs'. Somewhere, especially in the last ten years, it seems as if India lost all faith in her own motto. While many things have been getting better, many things have been getting worse. We have more malls, digital devices, and foreign cars, our homegrown companies are going global. But our cities are more unsafe, our rivers are horribly polluted, there is a loss of green cover, there is growing disparity between the rich and the poor, increasing rape, and unimaginable scams. Maybe Satyamev Jayate will hold a mirror to us all, and enable us to see the not-so-pretty truths there.
Two brothers, and their travels and travails as they move across America, are well captured by Patrick DeWitt in The Sisters Brothers, a runner-up for this year's Booker Prize (The Booker Prize finally went to Julian Barnes). These two contrasting characters are on their way to loot and kill, but their experiences change them, build them and burn them.
Told in the first person, by the younger (and relatively milder) brother, The Sisters Brothers is captivating right from the start. The writer's descriptive power builds up vivid images of the wild, wild West. One can see the filth, smell the blood, the bullets, the dust, and come face-to-face with the ugly and wretched characters all integral to the plot. DeWitt uses simple language, nothing complex here, and even the thoughts of people are simple, direct and in-your-face. One experiences the hard, tough life, made easy only by regular alcohol consumption and the occasional woman. The brothers are two hardened killers (especially the elder one), moving from desolate town to desolate town. They have no one in the world they can trust but one another. Despite their constant bickering and contrasting natures, or perhaps because of it, they grow closer over time. Even in the most hardened person, there is still a thread of humanity. The main story is made interesting by little diversions and sub-narratives. One of these involves Tub, the old, faithful horse that carries the younger brother. Tub has a severely infected eye, yet he plods on. Ultimately he meets his end. The brother's attachment to Tub, and his unwillingness to really give up on him, is bound to pull on the reader's heartstrings.
The author launches into 2 or 3 'dream' descriptions, which masquerade as 'Intermissions'. These seem boring and meaningless, as they don't seem to add anything real to the book. Apart from this, there is little to criticize in The Sisters Brothers. The brothers' bizarre adventures give a real picture of an uncivilized place, uncouth people, the Gold Rush, and the desperate greed that accompanied it. But more that the physical things, it is the subtle description of the intangible that is truly gripping. The love-hate relationship shared by the brothers is apparent in their dialogues, which are by turn both nasty and entertaining. One's love and longing for home, and the desire to leave the bad life and be a better person, is strongly contrasted by the other's complete disdain for a civilized and decent life. Unexpected events however, change both of them, and in the end their natures undergo a transformation. Each becomes more like the other. The cold-blooded murderer becomes subdued. The soft-hearted sentimentalist becomes ruthless and calculating, for one last kill.
DeWitt is a master of description, and even with numerous details, he never bores you needlessly. It's not easy to make a reader imagine a place they have never seen, but he pulls it of with ease. His characters are unique and quirky, with twisted minds, but good intentions too. They are, in a word, very human, and fallible. Psychologically, they are extremely interesting. What goes on in the killer's mind? Does he ever regret his life? Does he really think that his killings are justified? Can he ever really escape his past and make a fresh start? How long can a person kill for money? Someone who doesn't squirm while shooting a man clean in the face, has qualms when it comes to killing a horse. Everyone gets attached to something, even if it is an animal.
The quick pace, and descriptions that hold nothing back make this book like a Western movie playing across the pages. Sometimes, I even found myself reading in a Western accent. Blood flies, eyes are gouged out, guns are drawn and chemicals gorily eat away gold prospectors, while the two brothers stick together through it all.