Today I saw The Secret Life Of Walter Mitty. A lovely, moving film, based on a short story by James Thurber. It touches many topics, directly and indirectly. Millions of people spend their lives behind a desk, never striking out on their own, never taking a risk, living lives of soul-crushing anonymity. But that’s not the issue I’m talking about. No ma’am. The movie shows the death the printed version of Life magazine. From Life in paper, it becomes Life dot com. Behind that not-so-smooth transition, many lives (pun unintended) are turned upside down by the heartless, relentless march of technology. It takes many people to make a magazine, or for that matter, any published material. Most people never understand the pain, handwork and joy that go into creating something, especially something that will be printed. Because print has an air of finality. It can’t be coded to make a correction later. There is no option to upload a new file. Written in ink equals written in stone. 

Because of print’s highly demanding nature, there are many different people, each a vital performer, involved in the art of printing and publishing. Did you ever guess that there is someone like Walter Mitty, sitting in his dark room of negatives, sifting through hundreds of little images? He knows them like old friends. There is someone who colour corrects, sharpens and touches up every single image you see in any publication worth its ink. There is someone who composes the pages for print on the offset machine. Each of these people are small cogs in the larger machine. Individuals with expert, specialised knowledge. Unless you work directly with them, there is no access to that amazing tradition and well of knowledge. They never get much credit. The magazine always stands between them and the viewer, like a wall. 

I’m not bemoaning the rise of digital media, far from it. I love the internet, and all the information, entertainment and cat videos it houses. I’m only wondering if we are losing a entire generation of people, and with them, the knowledge and skill they had, for all time. That knowledge is of no use to us, for sure, but their stories deserve to be told. Walter Mitty tells us one such story. You can see Life online, with more photographs than ever before. But if you hold a Life magazine in your hands, you will see so much more. Behind each image, you can see a quiet person, staring at photographs for hours, checking their quality, so that you gasp wow!, and turn the page.

Some interesting films came out of India, back in the day of one national TV channel. Whatever your age, you'll never grow tired of watching these. The last one, 'I Am 20', shows how much has changed, and at the same time, how little has changed.

Marie Antoinette famously told her subjects, "If you can't buy bread eat cake." Little did she know of three fabulous bakeries, whose bread and cake are so good, they are truly interchangeable. No, this isn't any fancy Parisian patisserie, or over-priced 5-star hotel. These are 3 humble, Irani-owned bakeries in Pune, India. They are the stuff of legend. People come from far and wide to sample their fare, and often pack suitcases full of the stuff to take back home, where relatives, cousins and friends devour it. 

The three bakeries are within walking distance from one another. On East Street is Kayani Bakery. The Kayanian dynasty was one of the most powerful royal ruling families of Iran in ancient times, and these guys, true to their name are still churning out stuff fit for kings. Their chocolate icing cake is famous. Its large, circular, and coated with the hardest, brownest layer of sugary chocolate, with white zig-zag lines and two pink roses with fluorescent green creamy leaves. Inside it is the soft sponge again, but with a generous sprinkling of red and green sweet little squishy things we like to call tutty-fruities. My family had nicknamed it 'Goo-cake', and it provided the ultimate sugar rush. 

But the king and queen of Kayani Bakery are the Ginger and Shewsburry biscuits. The former is a brown round cookie, with a delicious gingery spiciness, which no one can replicate. The queen of Kayani, the Shewsburry, is the fairer cousin of the ginger. Off-white and just packed with oodles of butter, it melts in your mouth, as your heart also melts with pure love and goodness. A few find the butteriness too much, and prefer the kidney shaped hazelnut biscuit. This is probably one of the few times you can taste real hazelnuts. There are also the round coconut biscuits, with frilly edges. For those with a preference for salty goods, there are cheese biscuits, soup sticks, and other such delicacies. Most of the biscuits are made in the same moulds and have an imprint of a smiling baker with 'Kayani Bakery' written around his head like a halo. 

And truly, their bakers are a gift from higher powers. Not at all angelic in appearance, some are big and burly, with arms like young tree trunks, perfect for rolling and punching the dough. Others are sullen, but their magic and angelicness is apparent in the kitchen. The bakery only cooks on wooden ovens, and despite some environmental concerns, once you taste any of their products, you are a slave to them, and ready to sacrifice any number of trees for their noble cause. 

The bakery itself is large, but the front counter is always as crowded as a railway station. A series of challenges stands between you and your cakes. You have to first wrestle to get to the counter top, which is very high, and then peer over it. You then have to get the attention of one of the staff, no easy task, as each one would be already occupied with some other customer. And the staff is in no rush. By this time you better have two lists in mind, one of your first preference of items, and a second list of back-ups. Often items of your choice are over, or they are only baked in the morning or evening. The place is simple, and the only forms of interior decoration are a large picture of the Prophet Zoraster, and a large, plain calendar with red and blue digits. 

The other bakery is Royal Bakery. Contrary to its name, it is a small, rustic joint, with pista green shutters. While Kayani Bakery has more expertise in biscuits, Royal Bakery is best in breads. These bakers look like they have just landed from the steppes of Iran. They have lined and weathered faces, with the mysterious light-eyed look of the Middle-Eastern nomad. It is impossible to guess their ages, but their grey hair is testimony to all their hard work, and do they work hard! One can see straight past the counter, just a few feet away, into the dark depths of their kitchen. There is a long table, and on either side are more weathered men wearing dirty vests, sweating, as they wrestle and cuddle huge masses of dough. One of Royal Bakeries legacies is the gutli pao. This is a large round bread, with an outer crust that is brown, thick and hard. Inside, it is soft, white, snowy bread, with a spongy, airy texture, that is like nothing on earth. It can be had with anything, dal, curry, jam, but it tastes best with lumps of hard butter. The bread symbolically resembles its creators, formidable to behold, but concealing pure goodness within. 

Another legendary creation of Royal Bakery is their milk bread. Here they are one up on Kayani Bakery. If Marie Antoinette had tasted this bread, she would have said,"Dam the cake, just eat bread." And her subjects wouldn't have objected in the least. This bread comes wrapped in a smooth, creamy paper. On it is printed in red a smiling baker, and the very apt sentence "The bread that stays for a 100 days and keeps you fit for a 100 years." 

A gorgeous creation from Royal is their batasa. These are little round crunchy biscuits, with a faint flavour of jeera. To truly appreciate their beauty, they need to be dunked in a cup of hot tea. The outer layers become soft, and melt in the mouth, while the centre stays crispy and crunchy. 

Almost opposite Royal Bakery is the last, but not the least, City Bakery. All the bakeries have their share of crazy staff. One could never tell if they are joking or serious, and sometimes they are downright rude, but no one really cared. The Iranis are famous for their 'crazy streak' and City Bakery really takes the cake, or shall we say, the bread. This baker refers to everything in his shop in dollars. How much was the bread? Twenty dollars. The chocolate biscuits? Forty dollars. The total? Sixty dollars. He persists in this behavior with a perfectly straight face. A customer once complimented him on the quality of his stuff, saying such delicacies would not be available even in the best bakeries of Paris. He replied, "Madam, you obviously don't appear to have visited Paris." Of course, this just left the lady cackling with laughter as she carried off her bag of goodies. Their crowning glory is the Fan biscuit. Probably mastered from some Danish baker, this is a glorious creation, shaped like an elongated heart, delicately layered, and coated with crunchy sugar. It could melt the hardest heart. 

These shops are as simple and unadorned as their owners. If there is a Nobel Prize in food, they have excellent chances of winning it. They belong to the rare species who bakes with pure love, and it is apparent in every bite. Their service to humanity is beyond measure. As you take a bite of any bread, biscuit or cake, its goodness and richness slowly spreads on your tongue, filling you with warm delight, and you finally know what it is to eat like a king.

Have you heard of the CNN-IBN initiative called The Greatest Indian? They are trying to find the greatest Indian since Gandhi. The very concept of this episode reflects on us, as a nation. We don't have any real heroes after Gandhi. If we have such a program , it means we are desperately in search of a new hero. This is no surprise. Most of our heroes are from cricket, or Bollywood, or politics, or cricket (did I mention cricket already?). And there is a real dearth of heroines. I mean real women, doing real work, not those cast in the 'fair and lovely'  mold. It's not that they don't exist, it's just that the media is too busy showing us the Bollywood ones.

Some of you may  ask, "What happened to Gandhi?" Well, a country can't keep harping about the one and the same great soul after more than half a century. While I personally admire Gandhi and his philosophy greatly, the 'simple living' he advocates is not popular among most middle and upper class Indians today. Who wants to consume less when there are so many mindless malls dotting our cities? Who is going to clean his or her own toilet (forget about the streets), when there are bais, a dime a dozen? Ironically, you can  often see Gandhi's portrait in government offices and police stations, precisely the places where Gandhi's principles are shamelessly flouted, with large sums of money changing hands below (and even above) the table. Gandhi stoically looks upon all these transactions from his glass frame. He is still on many of our stamps. He has been reduced to just that, a half-inch chit of paper. If he saw the country he fought for, he would probably weep. 

CNN-IBN has drawn up a list of 50 people, and 'we the people' can vote for the top 10, and then finally that one glorious soul as well. Of course, there is a panel of distinguished judges whose vote will count too . Now this is a tough one, because you can't really compare the achievements of a Birla with an M.S. Subbalaxshmi. While some are nation and institution builders, others are social workers, and still others are intellectual stalwarts, entrepreneurs, military heroes, or artists and musicians. It takes all kinds to make this world. R.K. Laxman has contributed something great to our country for over 60 years, so has Kurien or B.K.S. Iyengar. Not all achievements are concrete and tangible. 

When we choose one of these great people, it is not a reflection on them, but rather, a reflection on us. Every person has a different definition of 'greatness'. There are countless ways to measure contributions to the nation. This is the list of 10 people. 

The upside of this watching this program is that one learns a lot about these people, and I realized I was badly informed about many of them, such as M.S. Swaminathan. Definitely, each figure here is inspiring in his or her own way. To give any one of them the tag of ‘The Greatest Indian’ is a tough task. At the core of it, this whole quest is a bit senseless.

After mulling over the list, I realized that we don't have to look that far to find the greatest Indian. In today's India, the greatest Indian is the common woman and man of India. Because they haven't yet given up on their country (though some have). It's the 'bai' that works in your home, because she struggles daily against odds, to work, to earn, to eat, to keep her kids in a school. The greatest Indian is the  laborer tarring the road in the heat of summer. He has come from some distant village. It's the farmer, planting rice day after day. It's the aged fruit seller round the corner, who comes daily and sits with papayas and oranges. The greatest Indians are everywhere – we just need the eyes to see them. These heroes are above votes.


Edited by Urmilla Chandran

The idiot box is not so idiotic anymore.

Yesterday we watched Amir Khan's Satyamev Jayate first telecast on TV. Hopefully, many more Indians were watching too. Finally, someone woke up and made a meaningful TV series. The weaker-minded folks say they don't' want to spend their day off watching an hour and a half of the real issues of India. Such people are very reason India has so many issues to begin with. If apathy is our worse trait, Satyamev Jayate is a good poke in the right direction. It is hard to imagine someone who is not moved while watching it.

I was expecting a documentary-ish programme, but was pleasantly surprised to see it was actually a talk show hosted by Amir Khan. The last few weeks, when Satyamev was being advertised, I was wondering which issue he will cover in the first episode. After all, there is no shortage of issues in India. And they didn't let me down either. Episode 1 is Daughters are Precious, and it is the issue in India that is crying out for most attention, because it points to a seriously ill social structure. Any society that allows for lakhs of girl children to be aborted, or killed at birth, is a dangerous society. This is a symptom of a larger problem, that essentially, women are still not respected or valued in India. Although people say it is better than it used to be, it is still not what it should be. Ask any woman today, how she feels when stared at on the street, even when 'decently' dressed, or when she is groped in a crowded bus or train, or when she is paid less than a man for the same work. The increasing gang rapes, especially in Gurgaon are testimony to this wretched attitude of India towards its women.

Coming back to the show, Amir Khan shows some alarming facts. Female foeticide has risen significantly from 1981 to 2011. It occurs more in urban areas, even among the so-called educated and well-to-do families. Amir interviews some women who have been through hell, been beaten and abused for bearing a female child, have been forced through multiple abortions, but were brave enough to live through it, fight it, and come and talk about it on the show. You need to see the show to hear their stories.

The show also focuses on the positive. It tells us of change happening for the better, of journalists and activists fighting this issue daily, and of how citizens can hopefully put pressure on courts to dispense justice a little faster. Most importantly, Amir Khan tells us that it is you and me who can be the change, in our own small way. At the very least, knowledge is power, and the more people are made aware through this series, the better it is. 

For the first time (I think) someone has used Indian television for a meaningful and powerful message. This medium of the idiot box, as I like to call it, is incredibly powerful, watched by millions, in rural and urban areas, and does not require one to be literate. It can affect positive change if used well, and who better to do that than Amir Khan, one of the very few in Bollywood who actually does sensible things. Instead of the ridiculous maa-bahu-saas serials, the mindless reality shows, and the demeaning and outright racist fairness creams crap, there is actually something sensible, intelligent and enlightening on Indian television. Hats off to Amir Khan. I just wish the ads of the saas-bahu serials would not air in the breaks of Satyamev Jayate. It is a cruel irony, that the source of the very issue being discussed, is being advertised. Also, hopefully, the issue of the music copyright will be sorted out soon. 

Satyamev Jayate is a mantra from the ancient Mundaka Upanishad. When India gained Independence in 1947, it was established as the national motto. It means 'truth alone triumphs'. Somewhere, especially in the last ten years, it seems as if India lost all faith in her own motto. While many things have been getting better, many things have been getting worse. We have more malls, digital devices, and foreign cars, our homegrown companies are going global. But our cities are more unsafe, our rivers are horribly polluted, there is a loss of green cover, there is growing disparity between the rich and the poor, increasing rape, and unimaginable scams. Maybe Satyamev Jayate will hold a mirror to us all, and enable us to see the not-so-pretty truths there.